Posted in Art by June©Malone, crayon, design, drawing, Figure Drawing, fine art, illustration, ink, ink drawing, June Malone Art, June Malone, Illustrator, June©Malone, Mixed media, Online Course, Painting, pen and ink, pencil, Portrait, Portrait, Portrait Painting

Art Is A Line Around Your Thoughts

“The line has almost become a work of art in itself” ~ Theo Van Doesburg

Still on the second unit of my first online illustration course, this is my version of how I suppose that Egon Schiele may have drawn a portrait of Broncia Koller-Pinell’s Marietta.

Broncia Koller-Pinell had a considerable influence on Egon Schiele.  She and her husband were his influential patrons.

Schiele’s dynamic, raw works have a beautifully frugal sense of line, the line being a dominant element in the structure of all his works.  He was more interested in contour than volume.  Schiele ranks as one of the greatest draughtsmen of all time.  He had a remarkable touch when building a line and contour of any figures, his extremely distinctive style was formed on one main foundation and means of expression – the line. 

Although there is obvious toning on the body, I perceive an appealing sense of flatness to it, as with many works by Schiele.  The lines do all the work.  Weight is the essence of form.  It is comprehending the solidity of the form.

Can you tell I’m passionate and excited by great lines?

Schiele rarely portrayed graceful nude bodies like this demurely seated female nude, most were curiously distorted and uncomfortable. His interpretation of his models presented bony, knobbly bodies in angular, knotted poses. Evidently, he liked to challenge rather than please the viewer.

His lines show a tendency to peak at points of tension (the outline of the hip, the top edge of the left shoulder and forearm), a trick that makes the contour static but not heavy.  This was difficult to replicate as the model Marietta has considerably more flesh on her than his usual models appear to have.

Carefully outlined in black crayon or ink on tinted paper, crayon has been used to decorate the figure. He often left his portraits in an unfinished state, and rarely with any background details.

Posted in Art by June©Malone, design, drawing, Figure Drawing, fine art, illustration, June Malone Art, June Malone, Illustrator, June©Malone, Online Course, Painting, Portrait, Portrait, Portrait Painting, watercolour

ILLUSTRATION: Brooding in a corner somewhere between art and graphic design….

“Creativity is more than just being different. Anybody can plan weird; that’s easy. What’s hard is to be as simple as Bach. Making the simple, awesomely simple, that’s creativity.” ~ Charles Mingus, American jazz musician.

 

The second unit of my first online illustration course, was unexpectedly, both an intellectual and a creative challenge.  I’ve had to think back to school history of art lessons, analysing paintings and artists – it gave my  brain a much-needed nudge.

I was to choose a painting that excites me for some reason.

Then, I was to try out different versions of the same image, but demonstrate how different artists would have interpreted it, using a variety of materials and techniques.

The initial painting was to be faithful to the work and its meaning.

I chose an enchanting nude portrait of Marietta 1907, by female Jewish artist Broncia Koller-Pinell. I knew nothing about it or her until I stumbled  upon it when it was tacked on at the end of an Egon Schiele and Gustav Klimt exhibition at the National Gallery in 2014. There is nothing quite like seeing it in real life – it blew me away, I gazed at it for a long time and couldn’t stop thinking about it for weeks.

The portrait of this lovely seated female nude has a simple L-shaped composition, with little attention given to the background other than graphic elements; blocks of flat, pale colour and a gold rectangle behind her head.  In this way, she gives the nude particular significance, focusing entirely on the harmonious lines of the subject’s body.  Paintings of nude women were still considered scandalous in 1908, especially when made by a woman.  Although nude, there is nothing provocative in this pose.

I was drawn by her efficient use of line, conveying the contours of the body.  There is much information and intent in each line, which limit the functions to construction and not description of specific anatomical data.  The fluid, precise, pared back line defines the edges of the form, effectively creating the structure of the body, traces contour and leads the eye from one part of the work to another.  They have their own merit.  They inform the rise and fall of the surfaces as the line travels over the breasts, the rib cage, down to the navel, over the abdomen and finally, down to the pubic area.  They describe the mass and volume of the form.  Every single mark is intentional.

Herewith my quick watercolour, attempting to be faithful to the original painting.

This was to help me unconsciously assume the structure of the work and its meaning.  A copy of the original is below, which was a postcard bought at the exhibition.

Posted in Art by June©Malone, fine art, June Malone Art, June©Malone, Painting, Portrait, Portrait, Portrait Painting, watercolour

Everyone’s A Critic

My Step-daughter’s eldest boy was distinctly despondent that I’d painted his baby brother’s portrait before doing one of him – so I’ve taken the step towards getting back in his favour – although I doubt a four-year-old would appreciate the loose painting technique used here.

An initial sketch (see bottom of page) is usually best practice to familiarise myself with the features of the subject.

percywc

In order to obtain some kind of likeness to the subject, the first details of my focus are always the eyes, lips and nose, painted with fine brushes.

percyzoom

Squinty eyes and flat brushes were used to block in the darkest values, using plenty of water.  Once dry, the lighter washes were blocked in, leaving the lightest areas untouched.

Finally, using a higher ratio of pigment to water, I went back to re-establish some of the darkest values.  I probably shouldn’t divulge the fact that his face was very red in the photograph due to a recent bout of tears, abruptly halted with the appearance of a chocolate pudding.

The resemblance isn’t quite as close as aimed for, so aspiring to meet with the high expectations of a four-year-old lad is sufficient motivation to do it one more time.  Watch this space.

percysketch

Posted in Art by June©Malone, drawing, fine art, ink, ink drawing, pen and ink, Portrait

A Snowflake’s Chance in Hell

I have just, rashly, entered my artwork to the first round of what is the largest and most longstanding (since 1789!) open submission contemporary art show in the United Kingdom, namely the 2017 Royal Academy Summer Exhibition, with its prevailing trademark chaos.

Let the nail-biting commence.

The selection Process:

  • 12,000 digital entries will be accepted online – judging 16 March
  • 4,000 of these entries will be short-listed for the second round – judging 18 May
  • Approximately 800 works will be chosen for the exhibition – final hangings 27 May

I know, right?

Ah well, at least I know that my entry fee will contribute towards a good cause; the funds raised by the exhibition go to the Royal Academy School – ensuring tuition for their students is free.

For the very last time (promise) I created a final, final, FINAL, ink drawn portrait of my youngest step-daughter, Ruth.  For once the image is large, so if you want to examine it closely, click it about three times.

Fingers crossed….you just never know! **

royal-academy_comp_2017ruth

The Summer Exhibition 2017 at the Royal Academy of Arts, London, runs from 13 June to 20 August.

** I didn’t get in after all – but it was fun to have a go.

Posted in Art by June©Malone, fine art, Painting, Portrait, Portrait Painting, watercolour

Babyface

It’s been such a joy painting this adorable face – he made me smile throughout the process.

sidneywatercolours

Unfortunately, despite visiting two different scanning shops and taking many, many shots over three days, this woefully poor photo is the best image I got, which doesn’t do it justice.

As predicted, the watercolour study has evolved to become the final piece; smaller portraits have their merit and I’m quite satisfied with the result.

sidneywc-face

A light touch and a soft palette of transparent colours was necessary to reproduce that wonderfully delicate freshness of the little man’s flawless, peachy-soft baby skin.  Greatly diluted, these watery colours were carefully built up in layers until I felt I’d ‘captured’ him enough to please his parents.

Despite intending to paint loosely, unless the main features are detailed, it’s difficult to achieve a proper likeness of the subject.  In an attempt to make it more ‘painterly’ some splashes were added and I purposefully tried to fade out at the edges so that he wasn’t overwhelmed by the business of his clothing.  I do like a slightly unfinished painting, but on this occasion, it was mostly due to the fear of messing it up with overworking.

Now all I need is to stop “Baby face, you’ve got the cutest little baby face” from playing on a continuous loop in my head.

Posted in Art by June©Malone, digital, drawing, fine art, ink, ink drawing, June Malone Art, Mixed media, Painting, pen and ink, Portrait, Portrait, Portrait Painting, watercolour, Zazzle

I’m still here….Yawn!

So six months of chugging away for my Zazzle store has felt mind-numbingly tedious.  Not that the actual designing is boring, more the (necessary) cross-media broadcasting that accompanies each and every single item.

Anyway, the possibility of emigrating to sunny Portugal now totally preoccupies me.  I’ve attended overseas property exhibitions,  examined online, plots of land for sale, researched property purchasing regulations and everything about private swimming pools – it’s addictive and so much fun!  If this does happen, it won’t be until 2018 after my son complete his university studies.

Ruth©Ink+digital

I’m itching to paint and draw again.  At the risk of being boring, I’m considering revisiting an image of my youngest step-daughter, the composition of which, inexplicably, still stimulates my creativity.  Already drawn in pencil and ink, painted with watercolourtwice.    This time I plan using a mixture of media and may give pastels a go.

Here to prove that I haven’t totally given up, is the ink version, but this time with some minor digital modifications.

Posted in Art by June©Malone, fine art, Painting, watercolour

More Flowers

I’ve always wanted to paint flowers but held back because for some nebulous reason I feared they would be too difficult.  Sometimes you just have to go for it.  Watercolour is utterly perect for painting flowers!

 

These Crocosmias (I had to look them up) were painted on dry paper using luscious, raw, thick watercolour paint, straight out of the tube.  Before the paint dried, I went back in with a clean, damp brush to tease out the coloour.  A brush handle dipped in the paint became a handy mark maker.

Flowers©Orange-1

Flowers©Orange+Book

One of my biggest challenges is knowing when to stop; I’ve ruined so many paintings at the last minute – although on this occasion I managed to step back in time….just.

Posted in Art by June©Malone, fine art, Painting, watercolour

Is Summer Over Already?

Where has the sun gone?

This Hydrangea sketch is my attempt to defy indications that the British summer has already bowed out.  It’s still July and I’m not ready to put my sandals and sunglasses away just yet.

Based loosely on the principles of negative painting, I worked around the petals and leaves to define their shapes and bring them forward.

Hydrangea©Watercolouri

Transparent colours were used as several layers of increasingly deeper tone are required to develop the shapes.

For quick reference I use a Winsor & Newton chart of hand-painted professional waercolours which has proved invaluable to me.  It not only clearly demonstrates what each colour looks like from intense to watery pale, but it also lists whether they are transparent, semi-transparent or opaque.  It also saves me the bother of making my own chart.

Colour-Chart-W&N.fw

It is important to allow the paint to dry properly between each glaze…something I’m particularly bad at.

Posted in Art by June©Malone, crayon, drawing, fine art, illustration, June©Malone, pencil, pencil drawing, Portrait

The Art of Wu-Wei & Coloured Pencil Bliss

Isn’t it always the way?  With this drawing of my son I didn’t try.  Really!  It was only a spontaneous sketch with barely any conscious thought…yet somehow, I effortlessly managed to accurately ‘capture’ my son and his mood.  He even likes it enough to use it on his website.

Composer©James

Striving for perfection and overthinking often sabotages creativity.  It’s a paradox!  This was only achieved because I was ‘in the flow’, in a ‘zone’; the usual self-inflicted pressure was off and I didn’t care about the outcome.  I was unleashed!

Composer©zoomDrawing with coloured pencils is extremely satisfying.  It’s just so very simple – all that is required is some paper, pencils and a sharpener.  And the results are gratifyingly fast…no drying time required.

I’ll have to cultivate this – in future, I’ll try not to try.

Posted in Art by June©Malone, fine art, June Malone Art, June©Malone, Online Course, Portrait, Portrait Painting, watercolour

Last Squeak of 2013

And so as Christmas creaks into view, with the nation reaching wearily for its winter woolies once again, lo – behold my latest offering before I totally disappear up my own festive fundament.

Portrait©FinalPersonally, I prefer a looser, more spontaneous and drippy effect to this overworked watercolour portrait, but I learned so much; primarily how to conquer my fear of a blank sheet of paper:

  • my pigments are not as translucent as those of the tutor
  • squinting to properly see tone, light, shadow and reflected light
  • identifying warm and cool colours
  • preparation – pre-mix enough paints
  • glazing – how graduated washes create many layers – first time using a mop brush
  • establishing soft and hard edges
  • lifting off damp as well as dried pigment
  • ability to look at watercolour paintings by other artists and decipher which technical aspects were probably used

I enjoyed this online course so much.

Herewith the various stages showing the process…

Portrait©MontagePortrait©Likeness…just don’t ask me to share the technical details – it took me a long time to complete and I am busy preparing for the impending fa-la-laaa fiasco.

Once they have had time to complete the course themselves and IF they decide to publish, I will be adding links here to posts by my good painting buddies, Leslie White and Carol King.

Happy Christmas to all, and to all a good-night.  Rum pum pum pum!

Posted in June©Malone, Portrait, watercolour

The Fun Never Stops

I hope this finds you dry.  I don’t mean that in an impolite way, it’s just that I live in the new monsoon kingdom of England where pretty much everything is soggy and damp at the moment.

In other news, I’ve started painting again…somebody alert the media!!!

The above two initial attempts at painting this friend of my son left me severely disheartened and frustrated by my dearth of technical skills.  At the end of the process I’d inevitably do something to ruin it.  Without formal training, making progress is difficult but, as someone once said; “Practice is the best of all instructors” so I’ve stopped sulking and here I am again.

Watercolour is one of the most challenging of painting mediums in that it is unpredictable.  The lack of control simultaneously thrills me and scares the pants off me.  Oh yes, I know how to have fun.

The following two studies taught me much about paint manipulation.  When attempting spontaneity and allowing the paint to do its own thing, it helps to be prepared for any eventuality.  Using a spray water bottle and kitchen paper allows for more control, as do loud yelps and sharp intakes of breath, although this does tend to startle the other people who live here.

With this first attempt, the darkest colour was painted first and when completely dry, lighter, transparent colours were glazed over.  This was in response to being educated by my friend Carol King on a fascinating process called Brunaille, except that this is in the wrong context and  I used blue instead of brown.  It was useful in helping me to appreciate the values of light and shadow.

The early stages look better than the finished version – the scanner makes it appear far muddier than the original and the poor girl appears to be in dire need of a shave.The second study below didn’t scan well either (honestly, not an excuse) – it is frankly clownish.Back to the drawing board.  I plan to paint numerous versions and strive to feel comfortable about giving a picture to the model; I can’t seem to quite ‘capture’ her.

Now if only I could channel my inner critic to help me perceive at what point to put the brush down and step away from the painting!  Less is more, stupid! So stop it.  I know you too are guilty of this.

You’re so glad you read this blog post, aren’t you? Admit it; I have enriched your life.

Posted in Art by June©Malone, digital

Pleased with this I am

I wanted to say something fascinating and existential about this picture but am too tired from focusing on drawing with a mouse instead of a pencil and I think my computer may be running a temperature.

Being too impatient to closely follow rules in instruction books, I applied my usual trial and error approach by throwing myself at Photoshop and…yes it hurt, but I’m taking antibiotics for it.

Anyway, PROGRESS!

You can probably hear me patting my own back from where you are.

I’m pleased with it – did I mention that before?

Posted in Art by June©Malone, Mixed media, pen and ink, watercolour

Shelf Portrait

Herewith only a small portion of my current reading matter.Some are being avidly studied – others, I’m merely dipping into.  They all offer me the opportunity to further develop the multiple intricacies of illustration skills and feed my insatiable curiosity about the subject.

Soon I hope to demonstrate here how they have inspired and educated me.  My motto is to never stop learning and trying to improve.

Watch this space….*cue “Wonder Woman theme tune”* ♬ ♫ ♪ ♩