Creativity is intelligence having fun!

The traditional role of the Illustrator lies in the visual narrative, it is a practice with its roots in storytelling.”  ~ Marshall Arisman

To shake up my creativity, I’ve signed up for some online illustrations courses, the first of which is both more difficult and enjoyable than anticipated.

Unit one required me to create an illustration from random items seen at a flea market.  As Lockdown is in progress, nipping off to Portobello Road market was replaced with online searches.

Stalls crammed with worn teddy bears and others stacked high with gaudy crockery, I decided to create an illustration for children, showing teddies attempting to climb into a teacup. 

Indecision meant that both a watercolour and a digital version of the teacup were created.

Drawing hyperactive teddies proved more difficult than I’d imagined, but I got there in the end.

A Snowflake’s Chance in Hell

I have just, rashly, entered my artwork to the first round of what is the largest and most longstanding (since 1789!) open submission contemporary art show in the United Kingdom, namely the 2017 Royal Academy Summer Exhibition, with its prevailing trademark chaos.

Let the nail-biting commence.

The selection Process:

  • 12,000 digital entries will be accepted online – judging 16 March
  • 4,000 of these entries will be short-listed for the second round – judging 18 May
  • Approximately 800 works will be chosen for the exhibition – final hangings 27 May

I know, right?

Ah well, at least I know that my entry fee will contribute towards a good cause; the funds raised by the exhibition go to the Royal Academy School – ensuring tuition for their students is free.

For the very last time (promise) I created a final, final, FINAL, ink drawn portrait of my youngest step-daughter, Ruth.  For once the image is large, so if you want to examine it closely, click it about three times.

Fingers crossed….you just never know! **

royal-academy_comp_2017ruth

The Summer Exhibition 2017 at the Royal Academy of Arts, London, runs from 13 June to 20 August.

** I didn’t get in after all – but it was fun to have a go.

I’m still here….Yawn!

So six months of chugging away for my Zazzle store has felt mind-numbingly tedious.  Not that the actual designing is boring, more the (necessary) cross-media broadcasting that accompanies each and every single item.

Anyway, the possibility of emigrating to sunny Portugal now totally preoccupies me.  I’ve attended overseas property exhibitions,  examined online, plots of land for sale, researched property purchasing regulations and everything about private swimming pools – it’s addictive and so much fun!  If this does happen, it won’t be until 2018 after my son complete his university studies.

Ruth©Ink+digital

I’m itching to paint and draw again.  At the risk of being boring, I’m considering revisiting an image of my youngest step-daughter, the composition of which, inexplicably, still stimulates my creativity.  Already drawn in pencil and ink, painted with watercolourtwice.    This time I plan using a mixture of media and may give pastels a go.

Here to prove that I haven’t totally given up, is the ink version, but this time with some minor digital modifications.

Punny?

This little watercolour painting was my attempt at humour.  It was a birthday gift for my youngest step-daughter who runs her own personal training business.

After the picture was left to dry on a table in another room  I forgot all about it until I overheard two teenage friends of my son talking and realised they were discussing it.  One lad obviously didn’t get the joke as the other said “That’s a trainer, see?  And it’s making personal remarks to the weights – the trainer is telling the weights that they’re dumb”.  He still didn’t really understand it.

So I thought it would be prudent to include his explanation just in case my sense of humour is less quirky than I’d imagined and is far more strange than is conventional.