“I sit before flowers, hoping they will train me in the art of opening up,”
So says modern poet Shane Koyczan.
For five days I’ve been sitting in front of “a host, of golden daffodils” willing them to train me in the art of capturing their glory in watercolours.
“I gazed-and gazed” but found that yellow on yellow is really difficult! Keep it loose and there’s not enough definition – add detail and it looks overworked. Whilst the paint was still wet I went back in with a watercolour crayon which seeemed to work fairly well. Oh and on the vase I used a white wax crayon to (kind of) define the water line.
Here’s the best one out of VERY many attempts.
Although after reading the very talented artist Kate Osborne’s excellent post on “Cropping” I tried this….
…but decided that this one is probably best? Actually, surprisingly, cropping is also more difficult than I assumed it would be.
Frustration aside, I enjoyed using my paints again – a necessary change from designing for my ** Zazzle store.
Ever the optimist, I plan doing some cutsie watercolours of themes suitable for children, which eill be incorporated into designs for greeting cards and various other items…you guessed…for my ** Zazzle store!
“And then my heart with pleasure fills,
And dances with the daffodils.”
With apologies to William Wordsworth.
** I closed my Zazzle shop in March 2017
Anyone who wants to make money by selling their art online, let me warn you that it is a deeply formidable task.
When I naively thought it would fun to open an online business little did I realise what I was letting myself in for. Every day sees me investing long hours on activities which do not include painting pretty pictures. I’ve had to…..
- Decipher what and how to adhere to the site requirements on setting up the store front.
- Learn every damned thing alone as Zazzle don’t really offer much advice.
- Interpret and complete complicated forms to keep the taxman happy.
- Know what size images are required for each individual product.
- Be proficient at using imaging software – I’m self-taught on Adobe Fireworks.
- Think up original ideas.
- Create new images, not just with paint and inks, but digitally as well.
- Become a champion at tagging.
- Delve deeply into my box of descriptive words.
- Open promotional media sites such as Facebook and Pinterest.
But still…all I hear is crickets.
It’s going to be a long time before I see any reward for my efforts and I’m realising that it will be necessary to open new stores with other online platforms in order to appeal to a variety of audiences.
The thing I’ve found the most difficult is to not be timid about pushing my Zazzle store on social media such as Facebook and Twitter. It’s not enough to simply upload a few items and sit back waiting for them to sell. Constant promotion of each item is vital and I’m convinced that I’ve probably irritated my friends and lost a good few followers in the process.
On the plus side, Zazzle do print my designs on good quality merchandise and I am enjoying the process; the novelty hasn’t worn off…yet.
I just saw an article proclaiming that those who succeed with these online stores have been doing it fo approximately fifteen years, (FIFTEEN!!) producing more than one item per day – I’ll probably be dead in fifteen years.
Well, much as I’d like to, I obviously can’t sit here chatting – got to get back to consistently and persistently producing for my Zazzle shop.
I don’t have any controversial unmade beds nor hideous dead creatures suspended in formaldehyde to flog – and I don’t want my art just sitting around taking up shelf space – so as passion and creativity won’t generate an income, I’m commercialising; selling (very cheesy) greetings cards and other merchandise on the internet. This allows me to paint and draw what and when I want without pressure.
Initial enthusiastic research rapidly dwindled into bewilderment and I had to enter a darkened room for a little lie down.
I’m currently limited to creating for greetings cards and various items such as t-shirts as my technical ignorance regarding converting images to acceptable vector file formats excludes me from contributing to Stock sites for now.
Being under no illusion, I admit my cards aren’t particularly original and realise that just because I’ve decided to put them out there doesn’t mean people will actually buy them; I’m a small voice in a very crowded room. So definitely not a “get rich quick” scheme. Nevertheless, even a few pennies here and there, must be better than a deft boot to the derrière.
Here is a link to the first site – my ** Zazzle store front… which will be regularly replenished.
One benefit of shopping here is that nobody will have to endure “All I want for Christmas” played on a perpetual loop just because it’s November.
Perseverance! I’ll let you know how I get on.
** I closed my Zazzle shop in March 2017.
I know it’s only October but…and I can’t believe I’m actually saying this…but I’ve made my own Christmas cards! Sorry! It’s most unlike me.
Moving swiftly on, if you have always been put off by the time and effort that making your own cards usually entails, then perhaps you should reconsider.
There is an abundance of inspiration and tutorials online. This is the one I used.
First you make a triangular stencil and place it over the centre of the card. Then, using water on a brush, paint small squiggles within the triangle and follow through with a small brush containing green watercolour paint, once again, squiggling loosely. I decided to splatter as well.
The photos are a bit pants but you get the idea.
The card paper didn’t react well to wet-in-wet watercolours as does proper watercolour paper, but once the triangular stencil was removed, the overall effect was still pleasing.
Craft stores sell economically priced blank cards with matching envelopes and everything else required – just don’t get carried away and buy up the entire store as I did. In this case, less is more effective. I used some self-adhesive glitter stars and tiny gem embellishments. I already had some gold ink for writing “Happy Christmas” inside, but you can even buy stickers for that.
This was a really simple, fun thing to do.
Apologies again for mentioning Christmas so early – I find nothing more soul-crushing than walking into a store and seeing Christmas supplies on the shelves at this time of year. I’m not sure what came over me.
I’ve always wanted to paint flowers but held back because for some nebulous reason I feared they would be too difficult. Sometimes you just have to go for it. Watercolour is utterly perect for painting flowers!
These Crocosmias (I had to look them up) were painted on dry paper using luscious, raw, thick watercolour paint, straight out of the tube. Before the paint dried, I went back in with a clean, damp brush to tease out the colour. A brush handle dipped in the paint became a handy mark maker.
One of my biggest challenges is knowing when to stop; I’ve ruined so many paintings at the last minute – although on this occasion I managed to step back in time….just.
Where has the sun gone?
This Hydrangea sketch is my attempt to defy indications that the British summer has already bowed out. It’s still July and I’m not ready to put my sandals and sunglasses away just yet.
Based loosely on the principles of negative painting, I worked around the petals and leaves to define their shapes and bring them forward.
Transparent colours were used as several layers of increasingly deeper tone are required to develop the shapes.
For quick reference I use a Winsor & Newton chart of hand-painted professional waercolours which has proved invaluable to me. It not only clearly demonstrates what each colour looks like from intense to watery pale, but it also lists whether they are transparent, semi-transparent or opaque. It also saves me the bother of making my own chart.
It is important to allow the paint to dry properly between each glaze…something I’m particularly bad at.
While you’re here I may as well rid my heaving bosom of something that still has me simultaneously wincing and fuming.
A recent television program documented preparations for an exhibition at the Leopold Museum in Vienna where some witless noodle made the sorry decision to show self-absorbed Tracey Emin’s gratuitous tosh alongside my favourite artist, Egon Scheile (cue audible ey-roll). Really? You just couldn’t make it up. It was embarrassing.
Emin, as inebriated by her own suppurating ego as by the liquor she guzzles, is so trapped by her urge to shock that the outrage she strives for has become a cliché. Her teeth-suckingly offensive ‘work’ has no correlation to art and I freely throw prejudicial cups of tea in the direction of those who confuse art with self-publication.
It’s hard to believe that people pay to stare at this excruciatingly crude fakery and that those who part with vast sums of money to own this pointless, ugly stuff are educated people. The joke is on them. It is freak art masquerading as originality. Self-indulgent clap-trap and most of us have her sussed.
You can probably tell that I consider Emin and her ilk to have all the appeal of a flatulent dog in a lift.
I don’t have her millions nor her obtuse, fawning devotees, but I am confident that whatever I paint will always have more merit than anything Tracely Emin can do.
My husband is right – I do morph into curmudgeonly Victor Meldrew on this subject.
As an antidote to all that negativity – inspired by flower paintings by artist friends who make it look much easier than it is – herewith some sketches where I trusted the paint and allowed the water to do the work. Marks were also made using the brush handle.
It may be possible to detect a whiff of satisfaction since I’ve muffled that chattering inner critical voice.
I’ve realised that in order to appreciate my own work it is imperative that I wait a few days after completion to be able to stand back and look at it with fresh eyes…rather like getting used to a new haircut.
The fear of using watercolours is diminishing. First using only transparent pigments mixed with plenty of water enables me to lightly ‘map out’ the image. It allows for painting as many layers as I need to build up the impression of dimension.
Flat brushes instead of round were used in an attempt to introduce spontaneity, with charcoal and pastels for intensity.
I’m persevering with the same subject as before, my youngest step-daughter, Ruth.
- The ink version was all about the lines; a clean, graphic quality being appropriate.
- Although not exactly a whimper of a painting, I abandoned the watercolour portrait because, despite scribbling on it with pastels, it still felt too flat, rigid-as-a-stick and the edges were too similar. It didn’t excite me – it lacked those extra ingredients of chaos and energy that I respond to and there was none of the fluidity that only watercolour can deliver.
With this simplified version, the ‘unfinished’ appearance is entirely intentional (assume your “Oh come OFF it” face here).
Pablo Picasso described art as the eliminiation of the unnecessary and Claude Debussy stated that “music is the space between the notes”.
Simplify, simplify, simplify! Do more with less!
In this vein, I tried to embrace the blank spaces and make each mark count, obtaining a perfect image being less important than how the paint was applied. And what was left out. Yes, you guessed it, I’m making it up as I go along here.
This painting feels complete to me. And there are edges; some soft, some sharp and I may have even managed to lose some!
In keeping with the minimalist theme, I’ll end here and see myself out.
Isn’t it always the way? With this drawing of my son I didn’t try. Really! It was only a spontaneous sketch with barely any conscious thought…yet somehow, I effortlessly managed to accurately ‘capture’ my son and his mood. He even likes it enough to use it on his website.
Striving for perfection and overthinking often sabotages creativity. It’s a paradox! This was only achieved because I was ‘in the flow’, in a ‘zone’; the usual self-inflicted pressure was off and I didn’t care about the outcome. I was unleashed!
Drawing with coloured pencils is extremely satisfying. It’s just so very simple – all that is required is some paper, pencils and a sharpener. And the results are gratifyingly fast…no drying time required.
I’ll have to cultivate this – in future, I’ll try not to try.