Posted in Art by June©Malone, Painting, still life, watercolour

Don’t Get Me Started; Embracing My Inner Grouch.

While you’re here I may as well rid my heaving bosom of something that still has me simultaneously wincing and fuming.

A recent television program documented preparations for an exhibition at the Leopold Museum in Vienna where some witless noodle made the sorry decision to show self-absorbed Tracey Emin’s gratuitous tosh alongside my favourite artist, Egon Scheile (cue audible ey-roll).  Really?  You just couldn’t make it up.  It was embarrassing.

Emin, as inebriated by her own suppurating ego as by the liquor she guzzles, is so trapped by her urge to shock that the outrage she strives for has become a cliché.  Her teeth-suckingly offensive ‘work’ has no correlation to art and I freely throw prejudicial cups of tea in the direction of those who confuse art with self-publication.

It’s hard to believe that people pay to stare at this excruciatingly crude fakery and that those who part with vast sums of money to own this pointless, ugly stuff are educated people.  The joke is on them.  It is freak art masquerading as originality.  Self-indulgent clap-trap and most of us have her sussed.

You can probably tell that I consider Emin and her ilk to have all the appeal of a flatulent dog in a lift.

I don’t have her millions nor her obtuse, fawning devotees, but I am confident that whatever I paint will always have more merit than anything Tracely Emin can do.

Deep breaths….

My husband is right – I do morph into curmudgeonly Victor Meldrew on this subject.

As an antidote to all that negativity – inspired by flower paintings by artist friends who make it look much easier than it is – herewith some sketches where I trusted the paint and allowed the water to do the work.  Marks were also made using the brush handle.

Roses©Pinks

Lavender©loose

Posted in Art by June©Malone, June Malone Art, June©Malone, Mixed media, Online Course, pencil, Portrait, Portrait Painting, still life, watercolour

Someone Pass Me The Tranquilisers

I’ve just completed a superb online watercolour portrait course given by the amazingly talented professional artist and tutor, and all-round great guy, Mario A. Robinson from which I learned so much.

Between you and me, I secretly hoped the course would immediately turn me into a master portrait painter, that there’d be an orchestra playing in the background as I twirled around in front of you with my masterpiece in one hand, paintbrush in the other.  Patently, it’s very much a learning process and I concluded that painting layer upon layer of glazes isn’t quite ‘me’, preferring spontaneity and risk-taking for a light, fresh, painterly finish….Oh all right then, it was bloody difficult and I simply don’t have the patience so I gave up!

I did learn heaps of valuable techniques, not least how to paint with a brush in each hand – and my confidence has definitely grown, but clearly, dilligent practise is required.

It was interesting to learn that in all his work, whether portraiture, still life or landscape, Mario uses the Grisaille method of painting – a monochromatic under-painting, which is a useful and accurate process that establishes a map of the tonal values prior to adding colour and helps create the illusion of depth and form.

After deciding not to complete the painting, I had some fun with it using charcoal and pastels, then decided to put it up here anyway, maybe even start a trend for showing failed works?

Ruth©flop There are no watermarks on this, what you may be able to see are pencil lines which would have eventually been covered if I’d taken the layers to the end and finished the painting properly.

Rut©cutNot too daunted for once, I’ll have another go at the portrait, using the lessons I’ve learned, but with my take on them – watch this space.

Look out for a crazy grinning woman prancing madly around an easel waving her paint brushes with quite a lot of attitude – that loon would be me.

Ah the hell with it….Cue orchestra!