Posted in Art by June©Malone, fine art, June Malone Art, June©Malone, Painting, Portrait, Portrait, Portrait Painting, watercolour

Everyone’s A Critic

My Step-daughter’s eldest boy was distinctly despondent that I’d painted his baby brother’s portrait before doing one of him – so I’ve taken the step towards getting back in his favour – although I doubt a four-year-old would appreciate the loose painting technique used here.

An initial sketch (see bottom of page) is usually best practice to familiarise myself with the features of the subject.

percywc

In order to obtain some kind of likeness to the subject, the first details of my focus are always the eyes, lips and nose, painted with fine brushes.

percyzoom

Squinty eyes and flat brushes were used to block in the darkest values, using plenty of water.  Once dry, the lighter washes were blocked in, leaving the lightest areas untouched.

Finally, using a higher ratio of pigment to water, I went back to re-establish some of the darkest values.  I probably shouldn’t divulge the fact that his face was very red in the photograph due to a recent bout of tears, abruptly halted with the appearance of a chocolate pudding.

The resemblance isn’t quite as close as aimed for, so aspiring to meet with the high expectations of a four-year-old lad is sufficient motivation to do it one more time.  Watch this space.

percysketch

Posted in Art by June©Malone, fine art, Painting, Portrait, Portrait Painting, watercolour

Babyface

It’s been such a joy painting this adorable face – he made me smile throughout the process.

sidneywatercolours

Unfortunately, despite visiting two different scanning shops and taking many, many shots over three days, this woefully poor photo is the best image I got, which doesn’t do it justice.

As predicted, the watercolour study has evolved to become the final piece; smaller portraits have their merit and I’m quite satisfied with the result.

sidneywc-face

A light touch and a soft palette of transparent colours was necessary to reproduce that wonderfully delicate freshness of the little man’s flawless, peachy-soft baby skin.  Greatly diluted, these watery colours were carefully built up in layers until I felt I’d ‘captured’ him enough to please his parents.

Despite intending to paint loosely, unless the main features are detailed, it’s difficult to achieve a proper likeness of the subject.  In an attempt to make it more ‘painterly’ some splashes were added and I purposefully tried to fade out at the edges so that he wasn’t overwhelmed by the business of his clothing.  I do like a slightly unfinished painting, but on this occasion, it was mostly due to the fear of messing it up with overworking.

Now all I need is to stop “Baby face, you’ve got the cutest little baby face” from playing on a continuous loop in my head.

Posted in Art by June©Malone, June©Malone, Painting, Portrait Painting, watercolour

She’s Here Again

I make no apologies for painting yet another watercolour of the same image of my step-daughter, Ruth.  Inexplicably, this particular image fascinates me and I may still do one final, very loose version.  For art to work, it’s important to do what satisfies you and to keep doing it – not what other people expect or what may sell – you have to do your own thing because that is your unique voice.

Ruth©HereAgain-Large

 

Watercolour is often thought of as a light, delicate medium.  Used correctly, however, it has wonderful, intense depth.  In this painting I took my cue from an exercise I did in negative painting.  I built up numerous layers, using the most transparent colours from a fairly limited pallet:

  • Quinacridone Gold
  • Burnt Sienna
  • Alizarin Crimson
  • Phthalo Blue
  • Ultramarine Blue

Despite watercolour being a fast-drying medium, waiting for each thin layer to dry wasn’t easy.  Still, it provided the opportunity to stand back from my work and view it from a distance in order to evaluate it.  Turning a painting upside down, viewing it in the mirror or via a photograph are other ways to help seeing it through ‘fresh eyes’.

Fifty percent of my art is detailed thinking – sometimes days of repeatedly going over the process in my head before getting the paints out.  That being said, once the painting begins, I don’t really know what I’m doing and have to put my trust in the paint…but that’s creating!.

For once I’ve uploaded a large image, but you’ll need to click on it about three times to get the largest version.

Posted in Art by June©Malone, digital, drawing, fine art, ink, ink drawing, June Malone Art, Mixed media, Painting, pen and ink, Portrait, Portrait, Portrait Painting, watercolour, Zazzle

I’m still here….Yawn!

So six months of chugging away for my Zazzle store has felt mind-numbingly tedious.  Not that the actual designing is boring, more the (necessary) cross-media broadcasting that accompanies each and every single item.

Anyway, the possibility of emigrating to sunny Portugal now totally preoccupies me.  I’ve attended overseas property exhibitions,  examined online, plots of land for sale, researched property purchasing regulations and everything about private swimming pools – it’s addictive and so much fun!  If this does happen, it won’t be until 2018 after my son complete his university studies.

Ruth©Ink+digital

I’m itching to paint and draw again.  At the risk of being boring, I’m considering revisiting an image of my youngest step-daughter, the composition of which, inexplicably, still stimulates my creativity.  Already drawn in pencil and ink, painted with watercolourtwice.    This time I plan using a mixture of media and may give pastels a go.

Here to prove that I haven’t totally given up, is the ink version, but this time with some minor digital modifications.

Posted in Art by June©Malone, fine art, Portrait, Portrait, Portrait Painting, watercolour

It’s not what you do, it’s what you don’t.

Ta-daa!

It may be possible to detect a whiff of satisfaction since I’ve muffled that chattering inner critical voice.

I’ve realised that in order to appreciate my own work it is imperative that I wait a few days after completion to be able to stand back and look at it with fresh eyes…rather like getting used to a new haircut.

The fear of using watercolours is diminishing.  First using only transparent pigments mixed with plenty of water enables me to lightly ‘map out’ the image.  It allows for painting as many layers as I need to build up the impression of dimension.

Flat brushes instead of round were used in an attempt to introduce spontaneity, with charcoal and pastels for intensity.

I’m persevering with the same subject as before, my youngest step-daughter, Ruth.

  • The ink version was all about the lines; a clean, graphic quality being appropriate.
  • Although not exactly a whimper of a painting, I abandoned the watercolour portrait because, despite scribbling on it with pastels, it still felt too flat, rigid-as-a-stick and the edges were too similar.  It didn’t excite me – it lacked those extra ingredients of chaos and energy that I respond to and there was none of the fluidity that only watercolour can deliver.

With this simplified version, the ‘unfinished’ appearance is entirely intentional (assume your “Oh come OFF it” face here).

Ruth©watercolour

Pablo Picasso described art as the eliminiation of the unnecessary and Claude Debussy stated that “music is the space between the notes”.

Simplify, simplify, simplify!  Do more with less!

In this vein, I tried to embrace the blank spaces and make each mark count, obtaining a perfect image being less important than how the paint was applied.  And what was left out.  Yes, you guessed it, I’m making it up as I go along here.

This painting feels complete to me.  And there are edges; some soft, some sharp and I may have even managed to lose some!

Enough?

In keeping with the minimalist theme, I’ll end here and see myself out.

Posted in Art by June©Malone, June Malone Art, June©Malone, Mixed media, Online Course, pencil, Portrait, Portrait Painting, still life, watercolour

Someone Pass Me The Tranquilisers

I’ve just completed a superb online watercolour portrait course given by the amazingly talented professional artist and tutor, and all-round great guy, Mario A. Robinson from which I learned so much.

Between you and me, I secretly hoped the course would immediately turn me into a master portrait painter, that there’d be an orchestra playing in the background as I twirled around in front of you with my masterpiece in one hand, paintbrush in the other.  Patently, it’s very much a learning process and I concluded that painting layer upon layer of glazes isn’t quite ‘me’, preferring spontaneity and risk-taking for a light, fresh, painterly finish….Oh all right then, it was bloody difficult and I simply don’t have the patience so I gave up!

I did learn heaps of valuable techniques, not least how to paint with a brush in each hand – and my confidence has definitely grown, but clearly, dilligent practise is required.

It was interesting to learn that in all his work, whether portraiture, still life or landscape, Mario uses the Grisaille method of painting – a monochromatic under-painting, which is a useful and accurate process that establishes a map of the tonal values prior to adding colour and helps create the illusion of depth and form.

After deciding not to complete the painting, I had some fun with it using charcoal and pastels, then decided to put it up here anyway, maybe even start a trend for showing failed works?

Ruth©flop There are no watermarks on this, what you may be able to see are pencil lines which would have eventually been covered if I’d taken the layers to the end and finished the painting properly.

Rut©cutNot too daunted for once, I’ll have another go at the portrait, using the lessons I’ve learned, but with my take on them – watch this space.

Look out for a crazy grinning woman prancing madly around an easel waving her paint brushes with quite a lot of attitude – that loon would be me.

Ah the hell with it….Cue orchestra!

Posted in Art by June©Malone, fine art, June Malone Art, June©Malone, Online Course, Portrait, Portrait Painting, watercolour

Last Squeak of 2013

And so as Christmas creaks into view, with the nation reaching wearily for its winter woolies once again, lo – behold my latest offering before I totally disappear up my own festive fundament.

Portrait©FinalPersonally, I prefer a looser, more spontaneous and drippy effect to this overworked watercolour portrait, but I learned so much; primarily how to conquer my fear of a blank sheet of paper:

  • my pigments are not as translucent as those of the tutor
  • squinting to properly see tone, light, shadow and reflected light
  • identifying warm and cool colours
  • preparation – pre-mix enough paints
  • glazing – how graduated washes create many layers – first time using a mop brush
  • establishing soft and hard edges
  • lifting off damp as well as dried pigment
  • ability to look at watercolour paintings by other artists and decipher which technical aspects were probably used

I enjoyed this online course so much.

Herewith the various stages showing the process…

Portrait©MontagePortrait©Likeness…just don’t ask me to share the technical details – it took me a long time to complete and I am busy preparing for the impending fa-la-laaa fiasco.

Once they have had time to complete the course themselves and IF they decide to publish, I will be adding links here to posts by my good painting buddies, Leslie White and Carol King.

Happy Christmas to all, and to all a good-night.  Rum pum pum pum!