My Step-daughter’s eldest boy was distinctly despondent that I’d painted his baby brother’s portrait before doing one of him – so I’ve taken the step towards getting back in his favour – although I doubt a four-year-old would appreciate the loose painting technique used here.
An initial sketch (see bottom of page) is usually best practice to familiarise myself with the features of the subject.
In order to obtain some kind of likeness to the subject, the first details of my focus are always the eyes, lips and nose, painted with fine brushes.
Squinty eyes and flat brushes were used to block in the darkest values, using plenty of water. Once dry, the lighter washes were blocked in, leaving the lightest areas untouched.
Finally, using a higher ratio of pigment to water, I went back to re-establish some of the darkest values. I probably shouldn’t divulge the fact that his face was very red in the photograph due to a recent bout of tears, abruptly halted with the appearance of a chocolate pudding.
The resemblance isn’t quite as close as aimed for, so aspiring to meet with the high expectations of a four-year-old lad is sufficient motivation to do it one more time. Watch this space.
I have just, rashly, entered my artwork to the first round of what is the largest and most longstanding (since 1789!) open submission contemporary art show in the United Kingdom, namely the 2017 Royal Academy Summer Exhibition, with its prevailing trademark chaos.
Let the nail-biting commence.
The selection Process:
12,000 digital entries will be accepted online – judging 16 March
4,000 of these entries will be short-listed for the second round – judging 18 May
Approximately 800 works will be chosen for the exhibition – final hangings 27 May
I know, right?
Ah well, at least I know that my entry fee will contribute towards a good cause; the funds raised by the exhibition go to the Royal Academy School – ensuring tuition for their students is free.
For the very last time (promise) I created a final, final, FINAL, ink drawn portrait of my youngest step-daughter, Ruth. For once the image is large, so if you want to examine it closely, click it about three times.
Fingers crossed….you just never know! **
The Summer Exhibition 2017 at the Royal Academy of Arts, London, runs from 13 June to 20 August.
** I didn’t get in after all – but it was fun to have a go.
It’s been such a joy painting this adorable face – he made me smile throughout the process.
Unfortunately, despite visiting two different scanning shops and taking many, many shots over three days, this woefully poor photo is the best image I got, which doesn’t do it justice.
As predicted, the watercolour study has evolved to become the final piece; smaller portraits have their merit and I’m quite satisfied with the result.
A light touch and a soft palette of transparent colours was necessary to reproduce that wonderfully delicate freshness of the little man’s flawless, peachy-soft baby skin. Greatly diluted, these watery colours were carefully built up in layers until I felt I’d ‘captured’ him enough to please his parents.
Despite intending to paint loosely, unless the main features are detailed, it’s difficult to achieve a proper likeness of the subject. In an attempt to make it more ‘painterly’ some splashes were added and I purposefully tried to fade out at the edges so that he wasn’t overwhelmed by the business of his clothing. I do like a slightly unfinished painting, but on this occasion, it was mostly due to the fear of messing it up with overworking.
Now all I need is to stop “Baby face, you’ve got the cutest little baby face” from playing on a continuous loop in my head.
Before embarking on a portrait, making a preliminary study sketch can help to familiarise yourself with the subject – once you begin putting down marks on the paper a relationship starts to form. Taking that first step will help to reveal what is important as you closely investigate the details of their features. As the study is usually carried out in a free and spontaneous manner, it is common to prefer the sketch to the finished portrait.
I plan to make a few more studies in watercolour as well as in ink before starting the final portrait of my step-daughter’s youngest son. When drawing his sweet little face I got totally carried away, so have learned not to overwork it….something I do a lot.
Since (unbelievably) that clown Donald Trump is US President Elect, our world has been turned into a circus…and it’s not funny. So I thought I’d give you at least one reason to smile by sharing this little cutie with you. This was all done using watercolour crayons.
So six months of chugging away for my Zazzle store has felt mind-numbingly tedious. Not that the actual designing is boring, more the (necessary) cross-media broadcasting that accompanies each and every single item.
Anyway, the possibility of emigrating to sunny Portugal now totally preoccupies me. I’ve attended overseas property exhibitions, examined online, plots of land for sale, researched property purchasing regulations and everything about private swimming pools – it’s addictive and so much fun! If this does happen, it won’t be until 2018 after my son complete his university studies.
I’m itching to paint and draw again. At the risk of being boring, I’m considering revisiting an image of my youngest step-daughter, the composition of which, inexplicably, still stimulates my creativity. Already drawn in pencil and ink, painted with watercolour – twice. This time I plan using a mixture of media and may give pastels a go.
Here to prove that I haven’t totally given up, is the ink version, but this time with some minor digital modifications.
“I sit before flowers, hoping they will train me in the art of opening up,”
So says modern poet Shane Koyczan.
For five days I’ve been sitting in front of “a host, of golden daffodils” willing them to train me in the art of capturing their glory in watercolours.
“I gazed-and gazed” but found that yellow on yellow is really difficult! Keep it loose and there’s not enough definition – add detail and it looks overworked. Whilst the paint was still wet I went back in with a watercolour crayon which seeemed to work fairly well. Oh and on the vase I used a white wax crayon to (kind of) define the water line.
…but decided that this one is probably best? Actually, surprisingly, cropping is also more difficult than I assumed it would be.
Frustration aside, I enjoyed using my paints again – a necessary change from designing for my ** Zazzle store.
Ever the optimist, I plan doing some cutsie watercolours of themes suitable for children, which eill be incorporated into designs for greeting cards and various other items…you guessed…for my ** Zazzle store!
You rarely get what you expect in life and despite it being almost Christmas you won’t see a stunningly beautiful festive painting as done by Lesley White nor this marvelous Thanksgiving watercolour by Carol King. But I do promise not to whine this time.
Anyone who kindly reads my witterings know that the process of setting up my online shop has wilted the neurons in my feeble brain. (Almost whined there.) The remedy? A first venture into abstract doodling mark making, some of which is influenced by images seen on the internet.
Abstract art isn’t supposed to look like anything, which is immediately freeing. It can be whatever you make of it – or whatever you don’t make of it.
With ink and watercolour paints, I soon became totally immersed in making marks and shapes for their own sake, which was most gratifying. Time zipped by.
Making repetitive gestures was both relaxing and absorbing; sometimes it felt almost unconscious as I tried not to exert too much control.
And yes, these images will be put to use in my ** Zazzle Store.
I’m considering running another site purely for commercial posts. Maybe next year.
Until then, a huge thank you to all of you who have supported me by stopping to look or comment and I sincerely do wish you all a very merry festive holiday.
Anyone who wants to make money by selling their art online, let me warn you that it is a deeply formidable task.
When I naively thought it would fun to open an online business little did I realise what I was letting myself in for. Every day sees me investing long hours on activities which do not include painting pretty pictures. I’ve had to…..
Decipher what and how to adhere to the site requirements on setting up the store front.
Learn every damned thing alone as Zazzle don’t really offer much advice.
Interpret and complete complicated forms to keep the taxman happy.
Know what size images are required for each individual product.
Be proficient at using imaging software – I’m self-taught on Adobe Fireworks.
Think up original ideas.
Create new images, not just with paint and inks, but digitally as well.
Become a champion at tagging.
Delve deeply into my box of descriptive words.
Open promotional media sites such as Facebook and Pinterest.
But still…all I hear is crickets.
It’s going to be a long time before I see any reward for my efforts and I’m realising that it will be necessary to open new stores with other online platforms in order to appeal to a variety of audiences.
The thing I’ve found the most difficult is to not be timid about pushing my Zazzle store on social media such as Facebook and Twitter. It’s not enough to simply upload a few items and sit back waiting for them to sell. Constant promotion of each item is vital and I’m convinced that I’ve probably irritated my friends and lost a good few followers in the process.
On the plus side, Zazzle do print my designs on good quality merchandise and I am enjoying the process; the novelty hasn’t worn off…yet.
I just saw an article proclaiming that those who succeed with these online stores have been doing it fo approximately fifteen years, (FIFTEEN!!) producing more than one item per day – I’ll probably be dead in fifteen years.
Well, much as I’d like to, I obviously can’t sit here chatting – got to get back to consistently and persistently producing for my Zazzle shop.