It’s ok to feel delicate sometimes. Real beauty is in the fragility of your petals. A rose that never wilts isn’t a rose at all. ~ Crystal Woods ~
During this extraordinarily weird period of self-isolating, I’ve been distracting myself by doing some artistic exercises with inspiration and guidance by artist Ian Sidaway.
The fading roses were plucked from my garden immediately after heavy rain. I used pen and ink as well as watercolour.
Whenever I finish a drawing or painting, I always ask myself whether I’d be happy to put my picture up on the wall inside my house. Recently the answer has been a resounding “no!”. But that’s alright as they’re not meant to be finished works of art, they are merely exercises in observation and trying new techniques.
Before I go, I just want to say that if I hear one more person say “new normal” I may just lose it. It is not normal and saying it over and over does not make it true. It is temporary!
Life is still life. It’s still tough, complicated, and more than a little messy, with lessons to be learned, mistakes to be made, triumphs and disappointments to be had, and not every day is meant to be a party. ~ Alyson Noel ~
Due to the current Lockdown because of the COVID-19 Pandemic, I am into week eight of self-isolation with my husband and son, so having these images scanned is not a priority. It seems, however, that I am cannot take a decent photograph. The paper looks grey.
These are merely some drawing exercises. Sepia ink was used for the image above and with the two below, ink, oil pastels and watercolour were used. The last one was a quick first try-out on scrap paper, but in some ways I like it the best.
My Step-daughter’s eldest boy was distinctly despondent that I’d painted his baby brother’s portrait before doing one of him – so I’ve taken the step towards getting back in his favour – although I doubt a four-year-old would appreciate the loose painting technique used here.
An initial sketch (see bottom of page) is usually best practice to familiarise myself with the features of the subject.
In order to obtain some kind of likeness to the subject, the first details of my focus are always the eyes, lips and nose, painted with fine brushes.
Squinty eyes and flat brushes were used to block in the darkest values, using plenty of water. Once dry, the lighter washes were blocked in, leaving the lightest areas untouched.
Finally, using a higher ratio of pigment to water, I went back to re-establish some of the darkest values. I probably shouldn’t divulge the fact that his face was very red in the photograph due to a recent bout of tears, abruptly halted with the appearance of a chocolate pudding.
The resemblance isn’t quite as close as aimed for, so aspiring to meet with the high expectations of a four-year-old lad is sufficient motivation to do it one more time. Watch this space.
I have just, rashly, entered my artwork to the first round of what is the largest and most longstanding (since 1789!) open submission contemporary art show in the United Kingdom, namely the 2017 Royal Academy Summer Exhibition, with its prevailing trademark chaos.
Let the nail-biting commence.
The selection Process:
12,000 digital entries will be accepted online – judging 16 March
4,000 of these entries will be short-listed for the second round – judging 18 May
Approximately 800 works will be chosen for the exhibition – final hangings 27 May
I know, right?
Ah well, at least I know that my entry fee will contribute towards a good cause; the funds raised by the exhibition go to the Royal Academy School – ensuring tuition for their students is free.
For the very last time (promise) I created a final, final, FINAL, ink drawn portrait of my youngest step-daughter, Ruth. For once the image is large, so if you want to examine it closely, click it about three times.
Fingers crossed….you just never know! **
The Summer Exhibition 2017 at the Royal Academy of Arts, London, runs from 13 June to 20 August.
** I didn’t get in after all – but it was fun to have a go.
It’s been such a joy painting this adorable face – he made me smile throughout the process.
Unfortunately, despite visiting two different scanning shops and taking many, many shots over three days, this woefully poor photo is the best image I got, which doesn’t do it justice.
As predicted, the watercolour study has evolved to become the final piece; smaller portraits have their merit and I’m quite satisfied with the result.
A light touch and a soft palette of transparent colours was necessary to reproduce that wonderfully delicate freshness of the little man’s flawless, peachy-soft baby skin. Greatly diluted, these watery colours were carefully built up in layers until I felt I’d ‘captured’ him enough to please his parents.
Despite intending to paint loosely, unless the main features are detailed, it’s difficult to achieve a proper likeness of the subject. In an attempt to make it more ‘painterly’ some splashes were added and I purposefully tried to fade out at the edges so that he wasn’t overwhelmed by the business of his clothing. I do like a slightly unfinished painting, but on this occasion, it was mostly due to the fear of messing it up with overworking.
Now all I need is to stop “Baby face, you’ve got the cutest little baby face” from playing on a continuous loop in my head.
Before embarking on a portrait, making a preliminary study sketch can help to familiarise yourself with the subject – once you begin putting down marks on the paper a relationship starts to form. Taking that first step will help to reveal what is important as you closely investigate the details of their features. As the study is usually carried out in a free and spontaneous manner, it is common to prefer the sketch to the finished portrait.
I plan to make a few more studies in watercolour as well as in ink before starting the final portrait of my step-daughter’s youngest son. When drawing his sweet little face I got totally carried away, so have learned not to overwork it….something I do a lot.
Since (unbelievably) that clown Donald Trump is US President Elect, our world has been turned into a circus…and it’s not funny. So I thought I’d give you at least one reason to smile by sharing this little cutie with you. This was all done using watercolour crayons.
So six months of chugging away for my Zazzle store has felt mind-numbingly tedious. Not that the actual designing is boring, more the (necessary) cross-media broadcasting that accompanies each and every single item.
Anyway, the possibility of emigrating to sunny Portugal now totally preoccupies me. I’ve attended overseas property exhibitions, examined online, plots of land for sale, researched property purchasing regulations and everything about private swimming pools – it’s addictive and so much fun! If this does happen, it won’t be until 2018 after my son complete his university studies.
I’m itching to paint and draw again. At the risk of being boring, I’m considering revisiting an image of my youngest step-daughter, the composition of which, inexplicably, still stimulates my creativity. Already drawn in pencil and ink, painted with watercolour – twice. This time I plan using a mixture of media and may give pastels a go.
Here to prove that I haven’t totally given up, is the ink version, but this time with some minor digital modifications.
“I sit before flowers, hoping they will train me in the art of opening up,”
So says modern poet Shane Koyczan.
For five days I’ve been sitting in front of “a host, of golden daffodils” willing them to train me in the art of capturing their glory in watercolours.
“I gazed-and gazed” but found that yellow on yellow is really difficult! Keep it loose and there’s not enough definition – add detail and it looks overworked. Whilst the paint was still wet I went back in with a watercolour crayon which seeemed to work fairly well. Oh and on the vase I used a white wax crayon to (kind of) define the water line.
…but decided that this one is probably best? Actually, surprisingly, cropping is also more difficult than I assumed it would be.
Frustration aside, I enjoyed using my paints again – a necessary change from designing for my ** Zazzle store.
Ever the optimist, I plan doing some cutsie watercolours of themes suitable for children, which eill be incorporated into designs for greeting cards and various other items…you guessed…for my ** Zazzle store!