Posted in Art by June©Malone, design, digital, drawing, Figure Drawing, fine art, illustration, June Malone Art, June Malone, Illustrator, June©Malone, Online Course, Portrait, Portrait, Portrait Painting

Art Doesn’t Transform. It Just Plain Forms

I’d always wanted to know the difference between a mark that was art and one that wasn’t. ~ Roy Lichtenstein

I’ve only completed the second unit of the online Illustration project I’m doing.  This is the third interpretation of Broncia Koller-Pinell’s nude portrait of Marietta.  A Klimt version during his golden phase was considered, mostly because Egon Schiele was his student and because Koller-Pinell’s work had a considerable influence on Klimt as well as Schiele. 

Eventually I decided that I’ve filled the brief to choose a painting that excites me and reflect on how different artists may have interpreted it.  I think I’ve also ‘let go and experimented without fear and played, simplified and allowed myself to feel the work using different material and techniques.’

So this is my third and final image, depicting my assumption of the approach of American pop artist Roy Lichtenstein.  His vivid, sensational work draws on popular imagery from advertising, comics and cartoons, with their easily strong, comprehensible lines, flattened designs  and strict colour pallet of primary colours.  His instantly recognisable two-dimensional imagery is known for colouring much of his canvas, and especially women, with his signature Benday dots.

His female nudes referenced 1960’s comic book caricatures, with his compositional technique of contrasting stark geometrical shapes and lines with the curvier form of the female body.

His artworks looked machine-made, but were carefully designed and rendered by hand.

The above image was created digitally.  I wasn’t able to reproduce the Benday dots to produce tones, but I had a go.

Posted in Art by June©Malone, crayon, design, drawing, Figure Drawing, fine art, illustration, ink, ink drawing, June Malone Art, June Malone, Illustrator, June©Malone, Mixed media, Online Course, Painting, pen and ink, pencil, Portrait, Portrait, Portrait Painting

Art Is A Line Around Your Thoughts

“The line has almost become a work of art in itself” ~ Theo Van Doesburg

Still on the second unit of my first online illustration course, this is my version of how I suppose that Egon Schiele may have drawn a portrait of Broncia Koller-Pinell’s Marietta.

Broncia Koller-Pinell had a considerable influence on Egon Schiele.  She and her husband were his influential patrons.

Schiele’s dynamic, raw works have a beautifully frugal sense of line, the line being a dominant element in the structure of all his works.  He was more interested in contour than volume.  Schiele ranks as one of the greatest draughtsmen of all time.  He had a remarkable touch when building a line and contour of any figures, his extremely distinctive style was formed on one main foundation and means of expression – the line. 

Although there is obvious toning on the body, I perceive an appealing sense of flatness to it, as with many works by Schiele.  The lines do all the work.  Weight is the essence of form.  It is comprehending the solidity of the form.

Can you tell I’m passionate and excited by great lines?

Schiele rarely portrayed graceful nude bodies like this demurely seated female nude, most were curiously distorted and uncomfortable. His interpretation of his models presented bony, knobbly bodies in angular, knotted poses. Evidently, he liked to challenge rather than please the viewer.

His lines show a tendency to peak at points of tension (the outline of the hip, the top edge of the left shoulder and forearm), a trick that makes the contour static but not heavy.  This was difficult to replicate as the model Marietta has considerably more flesh on her than his usual models appear to have.

Carefully outlined in black crayon or ink on tinted paper, crayon has been used to decorate the figure. He often left his portraits in an unfinished state, and rarely with any background details.

Posted in Art by June©Malone, design, drawing, Figure Drawing, fine art, illustration, June Malone Art, June Malone, Illustrator, June©Malone, Online Course, Painting, Portrait, Portrait, Portrait Painting, watercolour

ILLUSTRATION: Brooding in a corner somewhere between art and graphic design….

“Creativity is more than just being different. Anybody can plan weird; that’s easy. What’s hard is to be as simple as Bach. Making the simple, awesomely simple, that’s creativity.” ~ Charles Mingus, American jazz musician.

 

The second unit of my first online illustration course, was unexpectedly, both an intellectual and a creative challenge.  I’ve had to think back to school history of art lessons, analysing paintings and artists – it gave my  brain a much-needed nudge.

I was to choose a painting that excites me for some reason.

Then, I was to try out different versions of the same image, but demonstrate how different artists would have interpreted it, using a variety of materials and techniques.

The initial painting was to be faithful to the work and its meaning.

I chose an enchanting nude portrait of Marietta 1907, by female Jewish artist Broncia Koller-Pinell. I knew nothing about it or her until I stumbled  upon it when it was tacked on at the end of an Egon Schiele and Gustav Klimt exhibition at the National Gallery in 2014. There is nothing quite like seeing it in real life – it blew me away, I gazed at it for a long time and couldn’t stop thinking about it for weeks.

The portrait of this lovely seated female nude has a simple L-shaped composition, with little attention given to the background other than graphic elements; blocks of flat, pale colour and a gold rectangle behind her head.  In this way, she gives the nude particular significance, focusing entirely on the harmonious lines of the subject’s body.  Paintings of nude women were still considered scandalous in 1908, especially when made by a woman.  Although nude, there is nothing provocative in this pose.

I was drawn by her efficient use of line, conveying the contours of the body.  There is much information and intent in each line, which limit the functions to construction and not description of specific anatomical data.  The fluid, precise, pared back line defines the edges of the form, effectively creating the structure of the body, traces contour and leads the eye from one part of the work to another.  They have their own merit.  They inform the rise and fall of the surfaces as the line travels over the breasts, the rib cage, down to the navel, over the abdomen and finally, down to the pubic area.  They describe the mass and volume of the form.  Every single mark is intentional.

Herewith my quick watercolour, attempting to be faithful to the original painting.

This was to help me unconsciously assume the structure of the work and its meaning.  A copy of the original is below, which was a postcard bought at the exhibition.

Posted in Art by June©Malone, design, drawing, fine art, ink, ink drawing, June Malone Art, June©Malone, Mixed media, Painting, pen and ink, watercolour

As Soon As My Son Is Fit To Live With, He Goes To Live With Other People.

An empty room is a story waiting to happen, and you are the author. ~ Charlotte Moss ~

The sweet. beloved boy is now a 6’ 3” tall +man.  That soft little fat-cheeked face is angular and has stubble.  He achieved a distinction in his M.A. degree, flew the coop in July for a house-share with good friends, has just exchanged his sound engineering job for a dream lecturing position in London and he’s happy. We could not be more proud…and relieved!

There’s less laundry and the food bill has been cut by more than half but god I miss him breezing through the front door and so long to receive one of his wonderful bear hugs. 

Covid means we only “see” each other during our weekly online chat.  He’ll be spending his first Christmas day away from home with the family of a nearby school friend, so we’ll get to see him briefly, wearing our masks,  each in a corner of our sitting room.  I’ll throw one of those see-through dust sheets over him so that I can have one of his longed for hugs, plus it will make him laugh.

His room is freakishly immaculate, screamingly silent and vastly empty!  Not wanting to make it unrecognisable, (I can’t bring myself to call it our spare room) I had fun creating this watercolour to break up the now offensively naked walls.

Using beech leaves, I had my first go at mono-printing, which, if you’re interested, doesn’t really work with watery watercolour paints, so I also block-printed and then drew over the top using “pens” I’d fashioned out of beech twigs.  They worked really well, although as you can see, the ink did run sometimes off too quickly, but I fixed that by wiping the point on the side of the ink bottle.

Is it possible to have too much gold paint?  Yes, I went a smidgen too far, but think I got away with it.

I’ve ordered this inexpensive frame – and yes, the colour theme of the room is mainly blue…for boys!

Posted in Art by June©Malone, cards, design, fine art, greeting cards, June Malone Art, June©Malone, Mixed media, Painting, watercolour, Zazzle

Hurry Up Spring!

“I sit before flowers, hoping they will train me in the art of opening up,”

So says modern poet Shane Koyczan.

For five days I’ve been sitting in front of “a host, of golden daffodils” willing them to train me in the art of capturing their glory in watercolours.

“I gazed-and gazed” but found that yellow on yellow is really difficult!  Keep it loose and there’s not enough definition – add detail and it looks overworked.  Whilst the paint was still wet I went back in with a watercolour crayon which seeemed to work fairly well.  Oh and on the vase I used a white wax crayon to (kind of) define the water line.

Daffodils©Bunch-1.fwHere’s the best one out of VERY many attempts.

Daffodils©Crop.fw

Although after reading the very talented artist Kate Osborne’s excellent post on “Cropping” I tried this….

Daffodils©Crop-1.fw

…but decided that this one is probably best?  Actually, surprisingly, cropping is also more difficult than I assumed it would be.

Frustration aside, I enjoyed using my paints again – a necessary change from designing for my ** Zazzle store.

Ever the optimist, I plan doing some cutsie watercolours of themes suitable for children, which eill be incorporated into designs for greeting cards and various other items…you guessed…for my ** Zazzle store!

“And then my heart with pleasure fills,

And dances with the daffodils.”

With apologies to William Wordsworth.

** I closed my Zazzle shop in March 2017

Posted in Art by June©Malone, design, drawing, fine art, ink, ink drawing, June Malone Art, June Malone, Illustrator, June©Malone, Mixed media, Painting, pen and ink, watercolour, watercolour illustration, Zazzle

Experiments in Abstract Mark Making

You rarely get what you expect in life and despite it being almost Christmas you won’t see a stunningly beautiful festive painting as done by Lesley White nor this marvelous Thanksgiving watercolour by Carol King.  But I do promise not to whine this time.

Anyone who kindly reads my witterings know that the process of setting up my online shop has wilted the neurons in my feeble brain.  (Almost whined there.)  The remedy?  A first venture into abstract doodling mark making, some of which is influenced by images seen on the internet.

Abstract©WonkySquares

Abstract art isn’t supposed to look like anything, which is immediately freeing.  It can be whatever you make of it – or whatever you don’t make of it.

With ink and watercolour paints, I soon became totally immersed in making marks and shapes for their own sake, which was most gratifying.  Time zipped by.

Abstract©Waves

Making repetitive gestures was both relaxing and absorbing; sometimes it felt almost unconscious as I tried not to exert too much control.

AbstractLines©Horizontal+Spots

And yes, these images will be put to use in my ** Zazzle Store.

I’m considering running another site purely for commercial posts.  Maybe next year.

Until then, a huge thank you to all of you who have supported me by stopping to look or comment and I sincerely do wish you all a very merry festive holiday.

** I closed my Zazzle shop in March 2017.

Posted in Art by June©Malone, card, design, greeting cards, pen and ink, watercolour illustration

Christmas comes every year…thankfully only once!

Ok, I give in…I have embraced the whole twinkly palaver and descent into mild over-stuffed hysteria that is Christmas.  I have made my own card.

The halls are decked, tinsel tamed, bells jingled, mince pies baked and I have Santa’s mail-order number on speed dial.  I’ve refrained from scowling when every store assaults my ears with Christmas muzac playing on an endless loop.  Three cards have been received already – two from the Chinese takeaway.

The only problem is that red fluffy bits of marabou feather trim have migrated to every item of clothing and room in the house – I’m literally spitting feathers!

Wishing you all a happy, sparkly and peaceful Christmas.  See you next year.

Posted in Art by June©Malone, design, digital, greeting cards, June Malone, Illustrator

Market Mayhem

I HATE SELLING!  I’ll happily draw and paint for days, but detest marketing the completed picture.  Just deciding on a price makes me squirm.

So who knows why I’ve set up shop on Etsy?  It’s a shop with nothing to sell yet.  My head throbs from thinking what to write on the profile page and I may never wade through the slew of advice on how to make my stuff sell over the million and one other Etsy-ites doing exactly the same thing.

Last week I designed five tea towels.  (You can see more detail via the ‘Digital’ page if you click on each one.)

The printing quote was inhibiting and necessitated orders of 150 of each.  The vision of me trying to live amongst floor-to-ceiling piles of toppling, unsold tea towels wasn’t attractive.

So a quick rethink later and the current plan is to paint a few quirky greeting cards and offer commissioned portraits to see whether anyone is mad enough wants to pay for them.

Next week, who knows?  I wonder what Wonder Woman would do?

Posted in Art by June©Malone, cards, design, pen and ink

Wedding Invitation

It was my immense privilege to design the wedding invitation for the eldest of my two amazing step-daughters.

The image was to fit on a narrow, horizontal, white card and illustrate that the event would be held on Kentish farmland boasting two fishing ponds and several animal breeds.

The happy couple were “thrilled” with my efforts and I was officially dubbed a “clever old stick!  The wedding day was appropriately and sublimely magical and I even made my own fascinator for the occasion.