I make no apologies for painting yet another watercolour of the same image of my step-daughter, Ruth. Inexplicably, this particular image fascinates me and I may still do one final, very loose version. For art to work, it’s important to do what satisfies you and to keep doing it – not what other people expect or what may sell – you have to do your own thing because that is your unique voice.
Watercolour is often thought of as a light, delicate medium. Used correctly, however, it has wonderful, intense depth. In this painting I took my cue from an exercise I did in negative painting. I built up numerous layers, using the most transparent colours from a fairly limited pallet:
- Quinacridone Gold
- Burnt Sienna
- Alizarin Crimson
- Phthalo Blue
- Ultramarine Blue
Despite watercolour being a fast-drying medium, waiting for each thin layer to dry wasn’t easy. Still, it provided the opportunity to stand back from my work and view it from a distance in order to evaluate it. Turning a painting upside down, viewing it in the mirror or via a photograph are other ways to help seeing it through ‘fresh eyes’.
Fifty percent of my art is detailed thinking – sometimes days of repeatedly going over the process in my head before getting the paints out. That being said, once the painting begins, I don’t really know what I’m doing and have to put my trust in the paint…but that’s creating!.
For once I’ve uploaded a large image, but you’ll need to click on it about three times to get the largest version.